It’s Forty Year Friday again. For more information on this series, please read the opening paragraph of the first post, which featured Never Surrender by Triumph.
Posted on my Facebook page Feb. 28, 2013:
This week’s Thirty-Year Thursday album is the self-titled debut by hard rock trio ZEBRA. Released in March 1983, it was one of the fastest selling debut albums in the history of Atlantic Records. They’re best known for the Zeppelin-sounding “Who’s Behind The Door” and “Tell Me What You Want,” two excellent hard rock songs that have stood the test of time (at least to my ears). They’ve only released 4 studio albums, all of which are excellent, and “Zebra” is probably their best. I’ve seen them live numerous times and was friendly with them for a brief period in the early ’90s. They always put on an amazing show. Not sure how their records would sound to someone who wasn’t around in the ’80s, but I still think they’re a very underrated band, and this album is the equal of most hard rock/metal of that era. Here’s one of many highlights, “As I Said Before.” Happy 30th birthday to “Zebra.” The years have been kind to you.
I also wrote about this album in my Satur-debut series in 2019, which itself referenced a previous appearance in my Great Out Of The Gate series. Needless to say I love this band and this album. Here’s what I wrote about it:
From the “They Should Have Been Huge” file comes Zebra, the mighty trio from New Orleans that formed in 1975 as a hard/prog rock cover band and finally released their eponymous debut album 8 years later, along the way finding a second home base in Long Island, New York (which is probably why New York rock stations were so supportive of them). As I wrote in the fifth Great Out Of The Gate post (which you can read below), at the time it was one of the fastest-selling debuts in the history of Atlantic Records, achieving Gold status and cracking the Top 30. They weren’t able to sustain that commercial success in spite of two more excellent studio albums in the ’80s, both of which I’ve mentioned in my Wait Until The Summer’s Gone and Thirty Year Thursday posts. They may not be a household name but the original trio of Randy Jackson, Felix Hanemann & Guy Gelso continues to blow away enthusiastic crowds, showing no signs of slowing down, with set lists featuring most of the songs from Zebra.
From GREAT OUT OF THE GATE Part 5:
In the years following the 1980 demise of Led Zeppelin, any artist treading similar musical ground would get airplay on rock radio stations. Billy Squier was an early beneficiary but Zebra had the best shot at becoming huge. The incredibly gifted trio of singer/guitarist/songwriter Randy Jackson, bassist Felix Hanemann and drummer Guy Gelso delivered one of the fastest-selling debut albums in the history of Atlantic Records, combining Zeppelin’s dynamic hard rock with the keyboard & synth textures of progressive rock, ticking all of my musical boxes at the time. Opening track “Tell Me What You Want” is straight-up hard rock, and “Who’s Behind The Door,” a Top 10 hit on the Rock chart, blended the mysticism of Yes’ Jon Anderson with Zeppelin-inspired music. “One More Chance” and “As I Said Before” are killer tracks that might have been more successful a few years later during the “hair metal” era, but it’s the two epics that really make this a special record: “Take Your Fingers From My Hair” and “The La La Song” are showcases for their instrumental abilities and knack for clever arrangements. They never overstay their welcome over the course of the 6- or 7-minute running times. Throughout it all, Jackson’s multi-octave range is one of the key aspects to Zebra’s sound that separates them from their contemporaries. There are three other studio albums in their discography, as well as an excellent live album, but as much as I love just about everything they’ve released, their debut is a classic that still sounds fresh to my ears all these years later.
Rich,
I totally agree with you, great album! Other than the two “hits” that were being given airtime (WAPP, was it?), I always said that “Slow Down” was Zebra doing Zeppelin doing the Beatles! Anyway, thanks for reminding me to pull this album out and crank it! Regards, NJRon
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I remember WAPP. If my memory is correct, when they first launched (summer of ’82?), the first couple of months were commercial-free, so it was all rock & roll all the time. I love Zebra’s version of “Slow Down,” and I agree with your assessment, although they probably went back even further to the original late-’50s recording by Larry Williams. This album still sounds so damn good. I’m glad you agree.
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Yes commercial free! And I seem to recall WAPP played like a whole month (or was it a week? Time moved a lot slower then) of nothing but Zeppelin tunes one summer? I loved that station! They played songs from now-forgotten bands like Fastway and Shooting Star, that never got airplay on the other big market stations, but I still love those albums today! Ahh youth…
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I think you’re right about that non-stop Zeppelin block, although I don’t remember how long it lasted. Back then it seemed like all the rock stations played a Zeppelin song at least once an hour. And of course Carol Miller had her “Get The Led Out” show that featured a half hour of Zeppelin at 8PM every night. “Ahh youth” indeed.
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Hi Rich,
I thought you might enjoy this blast from the past when you have the time. I know I did (few seconds of static notwithstanding)! Zeppelin into Hot n Nasty by Humble Pie? Who would play that combo anymore (or ever!)? Goes to show, you can find ANYTHING on the internet!
https://archive.org/details/wapp-103.5-lake-success-new-york-15-june-1982
Regards,
NJRon
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That was an awesome blast from the past, when what they now call “classic rock” was just “rock,” and I’m glad it confirmed that the commercial-free summer of music was in 1982. I’m guessing there are plenty of satellite radio stations that play this kind of mix, but you’ll never hear anything like this on commercial radio anymore. Nice to hear The Guess Who and then Shooting Star at the end. I was trying to decide what to play earlier today and this did the trick. Thanks for sharing.
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Crazy these records are now 40 years young Rich! Seems like yesterday they came out …
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Seems like yesterday, until we look in the mirror. Haha. I’m just glad that so many of the albums we loved all those years ago still sound amazing today.
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I remember the song “Who’s Behind the Door” – I always liked it when it came on the radio. But I never followed up. I was even into Led Zeppelin and Yes at the time – so it would have fit right in, but I missed out
I just watched a “ZEBRA “Alive 83′” Tour @ THE SUMMIT, HOUSTON TX” show on YouTube. Randy Jackson is quite amazing – effortless playing guitar parts and singing, never looks to be struggling. And a lot going on musically too. Really put on quite a show for just three people
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Hey Rob. I’m glad you’re enjoying Zebra. They were poised for mega-stardom when this album came out, but unfortunately it didn’t happen for them. I’ve watched that live show on YouTube and it’s fantastic. Randy is an amazing guitarist & singer (kinda like Rik Emmett from Triumph). And during the brief time I was friendly with the band I learned that he’s also a really nice guy.
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Admittedly, the name Zebra doesn’t ring a bell at all. The three tunes you highlighted in the clips sound pretty good – their evident mix of rock and pop makes their music very accessible.
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Christian, were you in Germany when this album was released? I’m guessing their popularity was limited to the U.S. so it wouldn’t be surprising that you didn’t hear about them. They had all the elements necessary to become huge during that era but it never happened.
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Yep, in deed. I lived in Germany until early 1993.
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That explains your lack of exposure to Zebra. On an unrelated note, do you know the German band The Jeremy Days? You would have still been there when their first couple of albums were released.
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The Jeremy Days definitely sounds familiar but I can’t name any of their songs. Perhaps, once I start listening I might recognize some of their songs.
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It looks like The Jeremy Days had a couple of charted singles in Germany at the end of the ’80s, including “Brand New Toy.” The first song I heard, which was the first track on their debut album, is “Julie Through The Blinds,” which I still love.
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Thanks! I can confirm I remember hearing “Brand New Toy” on the radio. I don’t recall “Julie Through The Blinds” – sounds like pleasant pop rock!
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They had a strong Joe Jackson vibe which is why I liked them immediately.
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They used to be known as the Real McCoys, but apparently there was another band with the same name so they changed their name when they got a record contract.
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Thanks for that info, Phillip. I had no idea of their history, but I love all the music I’ve heard from them. I think The Jeremy Days is a better band name than the Real McCoys.
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Have you heard of German band Fury in the Slaughterhouse? (Not sure if that is a reference to the old television series with “Pete, his top-hand, who cut his teeth on a branding iron”.)
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I’ve never heard of that band or the TV series you mentioned. I’m completely stumped.
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That’s an old song, still often played on the radio here. I don’t know much of their stuff, but it might be worth checking out. That song sounds like the Talk Talk singer stepped in for Michael Stipe with R.E.M.
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So far I like what I’ve heard by Fury In The Slaughterhouse, so thanks for the recommendation. I’ve added the compilation that Christian mentioned to my Spotify queue.
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https://en.wikipedia.org/wiki/Fury_(American_TV_series)
Right off the top of my head, I can think of five 1960s U.S. television shows which featured single parents, fathers no less, even thought that wasn’t a thing back then. My theory: if there had been a couple with children, the viewers would think that they must be having sex. Sounds strange, but can you think of any other explanation? Remember that back then even if there were couples, the bedroom had to have two single beds, and both people couldn’t be shown (even sitting) on the bed at the same time. In each case, the role of the mother was taken over by someone else. The series: Fury (Pete, the top-hand, sort of filling in for the missing mother), My Three Sons (Uncle Charlie), Family Affair (the butler Mr. French), The Andy Griffith Show (Aunt Bee), The Beverly Hillbillies (Granny). Please tell me that you watched at least some of those as a kid. Other favourites: Star Trek, Gilligan’s Island, The Brady Bunch, The Partridge Family, The Lone Ranger. A bit later All in the Family, which is my candidate for the best television series of all time. It was extremely funny, but tackled serious contemporary issues. The comic timing was perfect. And it was filmed live on stage before an audience. The actor who played Mike was Rob Reiner, who went on to become a famous director (as did Ron Howard, who played Opey in The Andy Griffith Show and later played in Happy Days).
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I watched most of those shows growing up. Of the ones you mentioned, I particularly liked My Three Sons, Gilligan’s Island and The Lone Ranger. Clayton Moore and Jay Silverheels were awesome on that show. The one season that Moore was replaced as The Lone Ranger (by John Hart, I think), was a huge disappointment. I was also a huge All In The Family fan. Amazingly, you couldn’t get away with most of those episodes in today’s politically-correct climate. We had quite the Saturday nights for TV when I was a kid, with All In The Family, The Mary Tyler Moore Show, The Bob Newhart Show (my favorite) and The Carol Burnett Show. Along the way they also included Maude and/or The Jeffersons.
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Strange that you missed fury.
Yes, All in the Family wouldn’t fly today. Fawlty Towers (truly brilliant) is also criticized. But the critics are missing the point that the racist and otherwise bad aspects of the main characters are the BUTT OF THE JOKES, not the take-home message!
Prompted by his appearance on The Masked Singer at 97, my wife watched some old Dick Van Dyke Show episodes. Carol Burnett was also a favourite. Their spoof of Kung Fu—Young Fool—with Jim Neighbors is a classic (it’s own YouTube).
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I agree that those main characters, especially Archie Bunker, were the butt of the joke, but a lot of people feel that certain words shouldn’t be uttered in any form of media. I suppose I understand their concerns but I rarely (if ever) get offended, and if I don’t like something I simply avoid it. I’ll have to find the “Young Fool” clip on YT. I probably saw it back in the day but I don’t remember it.
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Here’s the clip. It’s a long sketch, but good.
Of course, the more you remember the Kung Fu television series, the better.
I’ve never understood the taboo on certain words when they are not used pejoratively, but rather used in reporting what someone else has said, or read in an old book (in some such cases, the words might not even have been pejorative at the time), or uttered by characters who are not intended to be heroes.
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Thanks for sharing the YT link, Phillip. I’ll check that out soon.
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Even though they’re German, Fury in the Slaughterhouse is another band I believe I know by name only. I guess it’s a pretty memorable name. That said, I can’t name any of their songs! 🙂
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I wonder if their music lives up to their name, or if it’s more of a 10,000 Maniacs situation. 😀
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Ha, can’t tell you that. 🙂
But you’re making me curious, so I guess I’m going to check them out!
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“Every generation has its own disease and I’ve got mine…”
Oh, these Germans, always so cheerful!🤣 But it’s kind of a catchy tune with a nice built.
Currently listening to a Fury sampler irresistibly titled “30 – The Ultimate Best of Collection”…😀
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My favourite German band is BAP. They don’t sing in German but rather in the Cologne dialect. The singer is also a Dylan fan and in a few weeks I’ll see his show reading and performing Dylan (himself and a piano player). The music of Bap is mostly straight-ahead rock.
The singer, Wolfgang Niedecken, wrote most or all of the lyrics, while (until he left) the guitarist, Klaus Heuser, wrote much of the music. Also one of my favourite guitarists. Reminds me of people like Adrian Smith: technically up there with the best of them, but it’s all about the song, not showing off à la Malmsteen. He had some really great solos.
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This is probably their most famous song. Dig the riff which starts at 2:00. It’s up there with “Satisfaction”, “Sunshine of Your Love”, “You Really Got Me”, “Paranoid”, and so on in terms of all-time greatest riffs.
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I grew up in the country side not far from Cologne and love BAP! I’ve listened to them for 40-plus years.
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Christian & Phillip, thanks for letting me know about BAP. Very cool stuff. I will definitely check out more of their music. Not sure I agree that the riff of that song is up there with the all-time greats, but it was really good.
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Hey Rich, Three years ago, I put together a post about BAP I thought you might enjoy as an intro.
They are a great band, though at this time, it’s really the frontman and singer-songwriter Wolfgang Niedecken who is left as the only original member, playing with great backup musicians. Still worthwhile exploring in my completely unbiased opinion! 🙂
https://christiansmusicmusings.wordpress.com/2020/02/23/revisiting-my-favorite-german-rock-band-bap/
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That’s awesome. Thanks for sharing the link to that post, Christian. I just read it, and I’ll check out the songs you shared later today.
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Glad I could introduce YOU to some new (to you) music you like. I’ve seen them live a few times. I followed them more closely back during their heyday, but even if I were more familiar with the newer stuff it would probably confirm my impression that they were better back in the day. (That’s not always the case; Iron Maiden, for example, have been very consistent.) I think the key point is that it is now essentially a front man with a backing band. I do appreciate the fact that it is acknowledged in the re-branding, something few bands do but more should (e.g. Jacqui McShee’s Pentangle). Usually, it’s done only when there are two or more formations spawned by the original band. Even with band where one person essentially wrote all the stuff, I prefer group albums to solo albums. I think that the reason is that even if there is no formal arrangement, with a group album first you have to convince the other people in the band. (Sometimes there are formal arrangments; Neil Peart once wrote that Geddy and Alex rejected most of his lyrics.). Having said that, I did see the current line-up a few months ago and was presently surprised. It’s not the same, but it’s not trying to be. AND IT WASN’T TOO LOUD. Klaus Heuser wrote a lot of the music back in the day and I do miss his influence. Even though the other contributed little in the way of songs, it was a real band back then.
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I was PLEASANTLY surprised.
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I knew you meant “pleasantly” and not “presently” but I appreciate your attention to detail. Nice to know that the current lineup of BAP, however it’s billed, is very good…and also not too loud. I enjoy loud music but sometimes the volume is too much and distorts things beyond a level of enjoyment. Two years ago, for the first time, I actually left a show before it ended because of volume, even though I was wearing very good earplugs. The bass rumbled so loudly that it made me physically uncomfortable. Wow, I sound old & cranky.
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Another new band for me. I love that you’ve shared your love for them three times now, in three different series if you count this one. You are a big fan. Of the songs shared I like The La La Song best as they try something a bit different there – it works.
As an aside I read that you got to know them a bit in the early 90s. We are heading off this weekend to meet up with extended family and one of those family members (my other half’s cousin) used to be in a band called Kiss of the Gypsy that was also signed to Atlantic Records in the early 90s. Wonder if you ever came across them? They never made the big time and have done all sorts of other things as careers but recently they got the old band together again and made an EP. They’re older and balder (used to have really big hair) but it still really works. Just thought of them because they were of the hard rock persuasion and Zebra reminded me of them.
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Hi Alyson. Thanks for giving Zebra a chance. Clearly I love these guys, and I think they should have enjoyed more success than they achieved. They had been inactive as a recording entity for several years after their commercially-disappointing but personally-adored third album in 1986, so when they returned with a killer live album in 1990 and I was working at Atlantic, I was introduced to the guys and they were awesome people. I got VIP treatment at every gig I attended even though I only worked in royalty accounting and couldn’t have any impact on their career.
Around that time, from the late-’80s through the mid-’90s, Atlantic and many other labels were throwing money at any artist they thought could be profitable for them. It seemed like every week there were a dozen new artists being signed, and if they didn’t have a hit immediately they were dropped. I can’t believe I don’t remember Kiss Of The Gypsy, and even their one album cover doesn’t look familiar, but I would have known their name at the time. It’s good to know that the guys got back together and made new music. I’ll see if I can find their music out here on the interwebs. Enjoy your visit with extended family this weekend.
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So it seems KOTG were one of many. I’ll keep that quiet on Saturday although I’m sure they knew that. I’ve written about them over at my place and a few clips on YouTube.
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At least KOTG got to release an album. The majority of artists who signed with Atlantic while I worked there (from ’88 to ’94) never had any music released. The label paid for demos and sometimes professional recordings, which they subsequently owned, and usually dropped the artist when they felt like there was no money to be made. It’s a sad part of the music business, but it is just a business after all.
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I’m meeting them on Saturday so will mention our conversation. I keep my blogging hobby quiet usually, but it might give me some kudos. They were always the coolest dudes in the family (by a country mile) but we’re all well into middle-age now, so I don’t think we care about such things any more.
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I’m listening to KOTG on Spotify as I type this, so let them know they can thank me for the $0.000001 in royalties they’ll receive. Haha. There was a lot of this kind of music at the time, so it was always going to be hard to get noticed, but they were very good. I guess Atlantic had Winger and the revamped Bad Company at the time, so they must have used all their hard rock promotions on those guys.
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Hey Rich,
I can thankfully say you introduced these guys to me in 2019. I ended up buying just the “Tell Me What You Want” track off of iTunes as a starter. It meant I was totally in on the “easter egg” when Johnny from Cobra Kai showed up in a recent season episode wearing a Zebra shirt.
About a year or so ago, I decided I wanted to buy the rest of the album. Turns out, it is no longer available on the streaming services. I sent an e-mail and hear back from Randy saying it was a rights deal, so I waited a bit. Still wasn’t available after half a year or more. So, I asked for it for Christmas and my wife & kids just got it for me last December!
I see now that Zebra is included in the Guardians of the Galaxy soundtrack. Hope they can figure out the rights to their back catalog and that this gets even MORE people interested in their work. They deserved better from the biz.
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It makes me very proud to know that I introduced you to the mighty Zebra, and you’ve been enjoying them. Your wife & kids must be great people to buy you the CD. I’m surprised it’s not available, but maybe that’s because Atlantic Records licensed it to another label and stopped manufacturing it themselves. I’m glad you enjoyed that Cobra Kai episode with Johnny wearing the Zebra shirt. My wife didn’t understand how excited I was to see that.
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